Here in Australia, there’s a late night TV show which has been running for literally decades called ‘RAGE’. Every night, in the twilight hours they play music videos on repeat, spanning all the way back since the dawn of time.

I’ve discovered some really great artists just by watching that show, but in recent months they seem hell bent on constantly playing hipster bands with animal names – which is mildly frustrating. But it did get me thinking, if I had to put together a top 10 list of the best music videos of all time – who would I pick, why would I choose them and how on earth would I narrow it down?

Well ladies and gentlemen, here’s my selection! (It’s not in any particular order) I’m sure there’s lots of room for debate and you’re probably going to see this list and think “Well, he hasn’t included such and such” which I guess should be inspiration enough for you to make your own right? :p

Enjoy!

1. Michael Jackson – Smooth Criminal

In terms of video clips that are instant classics, few can match Michael Jackson’s ‘Smooth Criminal’ which at 9 minutes in length, was a mini movie itself (the footage having been lifted straight from his major film ‘Moonwalker’) although I could quite easily have included “Thriller” obviously!

There is just so much to like in the video, the epic opening scene with the nickel flying across the room into the jukebox, the heady mix of mafia meets theatre with truly some of the most innovative choreographing you’re every likely to see.

Who can forget that mesmerizing scene, where he leans forward at that impossible angle (it was later revealed he was able to do this by locking his shoes into the floor) and don’t even get me started on the ‘moonwalk’ – a move that captured the imagination of millions. It was the stuff of dreams, nobody had ever pulled off a move which literally caused people to go mental. I remember seeing it and totally being spellbounded as a kid.

‘Smooth Criminal’ then, a music video, that would surely make most people’s top 10 list, not only for the fantastic song itself, but the moves, the story and those simply iconic dance scenes that generations of kids & adults will forever cherish and remember.

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2. Daft Punk – Around The World

“Around the World” by the French electronic music duo Daft Punk was one of those tracks that instantly turned heads. In an era where dance music was merging somewhere between the end of happy hardcore, drum n bass & breakbeat – along came a song which was totally different, mixing funk, a little bit of house and a vocal effect few had heard before. It that didn’t get you attention, the video itself was directed by visionary Michel Gondry and choreographed by Blanca Li.

Amongst other colourful characters it features robots, athletes, synchronized swimmers, skeleton and mummies – all dancing in unison around a cirlcular platform. According to Gondry’s notes the “robots represent the singing robot voice; the physicality and small-minded rapidity of the athletes symbolizes the ascending/descending bass guitar; the femininity of the swimmgers represents the high-pitched keyboard; the “itchy” skeletons serve for the guitars; the mummies represent the drum machine.”

He goes on to note that “I was sick to see choreography being mistreated in videos like filler with fast cutting and fast editing, really shallow. I don’t think choreography should be shot in close-ups.”

The end result? A video which is fun, irreverent and makes you want to get up and dance, just like the song itself. Mission accomplished.

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3. Gun N Roses – Paradise City

At the time this video was released, there genuinely wasn’t a bigger rock band on the planet. Released on 1987′s “Appetite For Destruction” album it’s the only song on the record to actually use a synthesizer. According to lead guitarist Slash, the song itself was written in the back of a rental van as they were on their way back from playing a gig in San Francisco –which isn’t bad considering it’s probably one of the most recognizable rock anthems of the past 20 years.

The video itself is simply live footage of the band performing “Paradise City” at Giants Stadium in New Jersey whilst they were touring with Aerosmith – I’ll leave it up to you decide who has the bigger legacy.  There’s even a dash of Nazi propaganda include in the video, roughly 4 minutes in Axl Rose is wearing a World War 2 Nazi officer cap and a stage pass which bears the SS eagle – then again, controversy never was far away from Axl Rose.  Amazing voice all the same.

So there you have, one of the last true great rock n roll bands, literally at the peak of their powers and commanding the stage in such a way that really has never been done since, even Freddy Mercury would surely have been proud.

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4. HURTS – Wonderful Life

HURTS are a realitively new band and new entry on my list.

Hailing from Manchester in the UK the duo of singer Theo Hutchcraft & musician Adam Anderson released their debut album ‘Happiness’ in September 2010. It actually turned into my album of the year, such were the glorious synth pop delights on offer (think Pet Shop Boys meets New Order).

But it actually all started with this video, for their song “Wonderful Life.” There’s a clear nod to the past (see Robert Palmer – Simply Irresistible) and also a modern update to the stylish posings of Duran Duran, Bowie and Pet Shop Boys. Add in a healthy of dose of warm synth lines and a voice which is both crystal clear and soaring and you have one of the breakthrough video clips of last year.

Sharp, slick, high class and incredible track to top it all off – and just think, this is only their debut…

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5. She Wants Revenge – Take The World

I’ve mentioned my love for independent band She Wants Revenge previously, they’ve been one of my favourite artists of the 00’s simply because they’re constantly tweaking, evolving and expanding their sound. There’s no better example of this, than with their new video ‘Take The World’.

It’s concrete proof that you don’t need to have a big budget to make a great video. Interestingly enough, it’s also the directorial debut of Adam Bravin (one half of the band). He’s set about producing an elegant and classy video, complimenting a song which grows and morphs with repeated listens.

It would easily have blown out into some pretentious, slow-motion 7 minute ode to his girlfriend, but he handled the subject with grace and tact. Plus the guy clearly has got a very similar to taste to me in girls, so extra hat tip for that one.

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6. Marilyn Manson – The Fight Song

I had tremendous difficulty in trying to pick one of my favorite videos by Marilyn Manson – not just because his is literally my favorite artist of all time, but because the majority of his music clips could make a top ten list on their own. After much thought, I’ve opted out of picking Coma White, Disposable Teens, The Dope Show, Beautiful People, Tourniquet, The Nobodies, Don’t Like The Drugs But The Drugs Like Me, This Is The New Shit – all of which could easily have been included and settled for something a little unconventional.

I’ve chosen ‘The Fight Song’ taken from his most expansive & diverse record ‘Holy Wood (In the Shadow of the Valley of Death)’ which was released way back in 2001 in the wake of all the Columbine shootings.

The song title is a pun on high school and college football team anthems known as ‘Fight Songs’. The track is partly a post-Columbine statement disparaging mainstream America’s own glorification of violence among its youth. I think we can all agree that football is simultaneously one of the most violent sports and one of America’s greatest obsessions….

So it’s no surprise that the clip itself is set around a violent game of high school football between two fictional teams, “Holy Wood” (composed of jocks in white football attire) and “Death Valley” (composed of goths and social outcasts in black football attire) and whilst he’s clearly pandering to his audience – there’s no denying the delivery here is both potent and venomous at times.

“I’m trying to show that sports as well as music can be seen as violent, so I chose a traditional black vs white, good vs evil them for the video.” Stated Marilyn Manson.

The song with its heavy as hell drums & walls of guitars – literally evokes a sense of chaos, so any music video would need to capture and bring to life that sense of aggression in a very direct & visual form.

Thankfully they do, and it works wonderfully here.

With rain drizzling down, the slow motion action scenes, the band causing havoc onstage and rebellious teens having one big riotous showdown. There’s even a bit of subliminal messaging going on, at 2.14 the video briefly replaces the scuffling football players with people fighting with police riot squads.

“The death of one is a tragedy. The death of a million is just a statistic!” screams Marilyn Manson

Intense video, tremendous impact, killer track, subliminal social commentary and a healthy dose of controversy – what more do you need?

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7. Kanye West – POWER

I remember the first time I watch POWER by Kanye West, I was literally blown away. I hadn’t seen a music video like that, probably since Michael Jackson’s ‘Remember The Time’ which was equally as theatrical and surreal.

I happen to think Mr. West is genuinely talented, both as a producer and artist in his own right – but I’m always pretty much convinced the guy is a total ego-manic as well.

Those two notions are not better personified within the ‘POWER’ video (a track which will be referenced for years to come) set to footage of the man himself playing a God-like character surrounded by religious imagery. If the world’s most renowned & prolific painter of all time Michelangelo, was given months to play with the very best video editing equipment money good by – he’d probably come up with something along these lines.

There’s few music videos these days that instantly cause you to sit up and take notice, but credit to Kanye West and his team, they totally hit it out of the park with this one.

Utterly spectacular.

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8. Stomacher – Untitled/Dark Divider

I actually know very little about “Stomacher” except that they have pretty awful band name and yet wrote a beautiful song called ‘Dark Divider’. Photographer Sean Stiegemeier shot this HD time-lapsed video over the course of a year while traveling to Prague, Japan, Banff, Utah, Oregon, California and more with the band –sounds like a good gig if you ask me!

The results are astounding, in fact if ever there was an example of the perfect visuals to set to the perfect track – then this would be it.

Magical stuff.

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9. Massive Attack – Atlas Air

There’s not much to say about Massive Attack that you probably haven’t heard already. They are unquestionably the pioneering force behind the rise of the trip-hop sound, which fuses dark hip-hop, soulful cinematic melodies & dub grooves into its own unique genre. During the 90’s they paved the way for other artists influential like Portishead, Sneaker Pimps, Beth Orton & even Tricky (who himself was a Massive Attack alumnus).

Their most mainstream record, which most people will still have carefully stashed away in their now dusty CD collection was called “Mezzanine’ released in 1998 to 5 star reviews globally. It’s one of the few records that even to this day, I can listen to the entire way through and never feel compelled to skip a track.

Even now they continue to lead, innovate and operate on a higher intellectual level than most dance outfits these days – their latest clip for “Atlas Air” taken from 2010’s Heligoland record is proof of that. In fact, I’ve yet to see an animated video so stylized and sleek – it’s literally eye-candy overload. With it’s released they’ve raised the bar for visual effects & animation to a level few will match.

There’s clearly a vast array of hidden meanings and metaphors flicking around in the background, as the main character of a giant robot rabbit tears through post-apocalyptic landscapes and cities, the military and police tireless trying to hunt him.

The track itself, whilst not instant, slow uncoils and unfurls until it climaxes into a blizzard of whirling synths & spare drum loops and whilst you probably can’t dance to it, by that point you’re well aware that you’re experiencing something vastly superior to 99% of everything else out there in dance land right now.

Massive Attack and Atlas Air, a visual and audio treat, operating on an entirely different level.

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10. The Prodigy – Smack My Bitch Up

The Prodigy are another institution in my childhood music collection. I vividly remember actually when “Firestarter” was aired on TV and thousands of parents rang in the following day calling for it to be banned, on the grounds that it was going to create an army of arsonists in schools all across the UK.

Watching the video back now, it seems quite tame, but at the time when I was 14 – I thought it was the most controversial and cool video ever. Keith Flint with his head shaved into two horns and my parents raising their eye-brows at me as I declare them my new band and that “I want to be like that.” I even went as Keith Flint to a highschool stage production called “Pop Mime” where you dressed up as your favorite band and mimed to their song. People went as Oasis or The Spice Girls, but there I was, hair spray red, gelled to the max into two horns leaping around pretending I was “the firestarter.”

But in truth the REAL video everyone should have been talking about was “Smack My Bitch Up” released on 17 November 1997. It was the third and final single from the album The Fat of the Land after “Firestarter” and “Breathe” had laid waste to the pop scene. It was controversial from the get go, purely based on the name. The band defended the song, saying that the lyrics were being misinterpreted as misogynistic and the song actually meant “…doing anything intensely…”

It’s easily one of the biggest dance anthems for anyone born in the 90s – play that at any festival and the entire place erupts. The video for “Smack My Bitch Up” was thought to be so extreme that it was largely ignored by mainstream media at the time and was only air well into the twilight hours.

It was directed by Swedish music video director Jonas Åkerlund and depicts a night out in the city filmed from a first-person perspective, portraying drinking and driving, snorting cocaine, violence, vandalism, nudity and sex. The unedited version also includes a staged a hit and run incident, plus a genuine scene of heroin use. The protagonist takes a stripper home and has sex with her. As the stripper leaves with her things, the protagonist glances in the mirror and well……..there in lies the epic twist at the very end!

Phenomenal band, a true anthem and a video which dared to show your parents what you REALLY get up to a Friday night.

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Honorable Mention: Aphex Twin – Come To Daddy

Ah Aphex Twin (aka Richard D James) how could I forget? I couldn’t leave this one out now could I?

As a video Aphex Twin – ‘Come To Daddy’, defies explanation at times.

Infamous director Chris Cunningham was the visionary behind camera for ‘Come To Daddy’. It was actually filmed on the same council estate where Stanley Kubrick shot many scenes in A Clockwork Orange.

It’s rampant with bizarre and unsettling imagery, set against a grimy industrial setting. There’s old ladies being screamed at by demons, urinating animals, small freaky children who all bear James’ grinning face running around in abandoned buildings wreaking havoc and chasing people into cars. None of it makes much sense, but it is at times a quite genuinely terrifying experience and at the very least certainly disturbing.

The song is equally unsettling but it really is nothing in comparison to the video. It’s 6 minutes of pure tension – just make sure you watch it with the lights on…

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Honorable Mention: Basement Jaxx – Where’s Your Head At?

And finally, whilst we’re on the subject of disturbing videos – there’s Basement Jaxx’s classic “Where’s Your Head At” video clip – which actually is almost as well-known as the song. It was taken from their second album ‘Rooty’ and realistically is another one of those epic festival anthems up their with Prodigy’s ‘Smack My Bitch Up’. They actually sample Gary Numan’s “M.E.” and “This Wreckage” frequently in the song – it’s good seeing the godfather of electro continue to spread his influence.

I can’t even begin to fathom where the concept of this video came from, but I do know it’s awesome. When I first saw it, I thought it was just another dance track, when suddenly the video shifts gear and whizzes off into this some really offbeat territory.

The video starts out with a British man entering an undisclosed location (“the armpit of nowhere” as he calls it) to meet up with a man who claims to have “the latest thing in pop music”. It turns out the “latest thing in pop music” is actually an experiment where musicians’ brains are being transferred to monkeys! And thus commences 4 minutes of monkey’s with human faces playing instruements in a science lab, before the suddenly start tearing up the equipment and causing general havoc.

It’s a uniquie clip, because it’s just totally left of centre and out of the box. It wasn’t aiming to be controversial or even scary – but it succeeds in genuinely making you sit up and take notice because it’s just so random at times. The first thing I thought when I saw it was “W.T.F.” and basically, I instantly wanted to watch it again.

To me, it’s a real cult classic because the took some risks and lets face it, it’s a great concept. Plus I reckon it would still scare the hell out of the odd kid or two haha.

Hope you enjoyed my list, love to hear your suggestions!



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Marilyn Manson has just released his brand new video for the track ‘Running To The Edge Of The World’ which is from his recently released record ‘The High End Of Low’.

A word of warning, the clip isn’t for the faint of hearted. It was directed by the man himself in a hotel room and needless to say….it doesn’t disappoint.

You can watch it below, or by clicking here

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This particular blog entry, however, is about the second part of my holiday in Melbourne (not my most recent trip) and if I don’t write it down now, I think it will fade from the annuals of my memory entirely (especially as the past few weeks have become nothing more than a frenetic blur.) So I’m going to just dive straight in (Alzheimer’s permitting), from where I left off last time.

So, day number two in Melbourne commence with a brisk and vigorous search for breakfast in the city. As I’m sure you’ve been told, Melbourne has a wealth of cafes dotted between various side streets and alleys, perfect for that mid morning brekkie urge, when you’ve woken up with the munchies and an intoxicating need for bacon.

After looking at the menu at Hairy Canary (I don’t know why you’d name a cafe that either, but there you go) it instantly got our seal of approval. Their menu laid out a utopian breakfast in such yummy and intricate detail, that it actually made you MORE hungry as you were reading it.

Perfect way to start, what would become a busy Sunday.

(Or so I thought.)

I sat there, partially drooling, my mind clouded with thoughts of the wondrous gourmet feast about to make love to my eyes, the sizzling bacon, the warm fluffy scrambled eggs & the crunchy sourdough toast.

And then, without warning,  I was suddenly hauled back to reality, with a stiff and firm clunk. My ‘breakfast’ had finally decided to emerge from its former home, the clattering & quarrelsome kitchen.

I’d chosen the “Big Brekkie”, which essentially is bacon, roasted tomato, sausages and eggs – a heart-attack on a plate I’m well aware, but so utterly amazing you’re willing to run the risk.

Well, usually.

However, the big brekkie that half-heartedly stared back at me, wasn’t ANYTHING like I’d imagined. Served in a mini frying pan, everything was literally fused together, in a sort of pan-fried vomit ensemble.

The eggs were poached (not scrambled) the bacon was mere strips of fat in disguise, the tomato looked like it had been microwaved to within an inch of it’s life and the sausages took the form of some strange phallic-shaped Spanish salami.

W.T.F indeed.

Apparently, at least for the chef’s at Hairy Canary, this is gourmet breakfast Melbourne style. But as I nervously poked and prodded at it, my stomach rumbled with the almost instant realization, that it was going to have to go on being hungry for a little while longer.

I left the Hairy Canary feeling almost as empty, as when I went in. Not the ideal start to the day I’m sure you’ll agree.

Along with it’s cafe culture and boutique fashion stores, Melbourne is also predominantly known for embracing of all things arty. If you’re an artist (in whatever form) in Melbourne, you will get numerous fuzzy hugs from the arts council and even more opportunities to display your wares.

There are galleries, live venues and stand-up clubs all scattered around the city – infinitely  more than there is in Sydney. In fact,  even graffiti is promoted as a tourist feature and in the case of Melbourne at least, with good reason.

There’s the famous ACDC Lane (named after the band) which showcases some of the cities upcoming graffiti artists, but there’s several other lane-ways and passages nearby which are home to hundreds of vastly more intricate and interesting characters. Each have been spray painted with care, ablaze in colour with many of them peaking from behind recently pasted band posters.

You can tell many of these wonderful and often mischievous characters are the result of a generation who’s youth was spent watching trippy 80′s cartoons, daily doses of  Seseme Street and endless hours spent playing Mario Brothers, Pac-Man, Sonic The Hedgehog, Alex Kidd and Donkey King.

You can see more images from the streets of Melbourne, in the slideshow at the bottom of this blog and here

Now we’ve covered ‘static’ art in Melbourne, it seems only appropriate that I shed a bit of light on some ‘moving’ art we took in as well. Centrally located, the Australian Center For The Moving Image (more commonly know as ACMI) really was a highlight of the trip.

Admittedly, it’s name is rather pretentious, but once you get inside the center itself, it all begins to make sense. Throughout the entire exhibit, the history of “the moving image” is showcased. From its initial incarnation of shadows and puppets, through to the arrival of TV, its expansion into movies, strobe lights, delay effects all of which which lead onto video games, personal computers, the birth of the Internet, wireless devices and motion capture technology.

And far from being one of those tedious galleries where there are simply pictures and information heavy wall mounted plaques everywhere, the ACMI has models you could touch, twist, turn, rotate, pull, press and interact with.

ACMI – Matrix Stop Motion

Alex | MySpace Video

We even shamelessly played a few rounds of Pong, danced in front of a screen as giant Godzilla shaped shadow (complete with sound effects) and jumped very briefly into a starring role in The Matrix movie.

It’s the type of place where as a kid, you’d be unable to contain yourself, destined to walk around with your eyes wide open and a huge smile swept across your face and in fact, even as an adult, you’d be hard pressed not be impressed by the sheer fun and trip down memory lane on offer.

Next door was an exhibition by NZ artist Len Lye. Now I freely admit I’d never heard of the chap, indeed when I walked into the first room featuring his work, I rashly came to that conclusion as to why that was.

Projected onto the walls, was a collection of video displays featuring various coloured slides and shapes, in random patterns. It was tedious, directionless and incredibly uninspiring all at that same time. “I could have done that.” I thought and judging by the disappointed and weary looks from everyone else in the room, they all collectively agreed.

But how silly I was judge Len Lye with such flippant disregard, because as I rounded the corner into the second room, I was greeted with a spectacle that really did make change my opinion of him a complete 180 degrees.

The room was covered in dark grey carpet surrounded by even darker walls, 6 or so high intensity spotlights projected downwards onto 6 metal sculptures, all of which moved with a calm kinetic energy entirely of their own accord.

Sheets of metal that waved violently as you walked past, tiny strands of steels the width of your hair that shimmed as the air flow changed direction – it was as if every object had a personality, a mood and energy of its own. Beautifully done, crafted to perfection and mesmerising at the same time. The inanimate, literally coming to life.

The final part of the day, was spent under the band of a blurry rainbow, as we traversed some small market stalls, saw a lifesized cardboard castle / art installation (sounds exciting but it wasn’t lol) and then headed back late afternoon for a seriously yummy Mexican dinner in South Yarra.

Later that night we went and saw the second Marilyn Manson show in Melbourne (we had seats this time) and I have to stay it was a marked improved from the night previously. The band seemed to put more effort in and the sound was noticeably better. ( Still not a patch on the Sydney shows though.)

After the show, we found ourselves back at the Crown Casino (the only thing centrally located that was open past 11.30pm on a Sunday) having the few drinks in the lobby, surrounded by the constant whirring of machines and squeals of delight as people hit numerous jackpots.

There was even a famous b-grade actor floating around, I have no idea what his name was, but his ADDIDAS tracksuit and Brooklyn accent lead me to believe he was probably in The Soprano’s or another mafia / gangster affair. But probably the funniest part of the evening, was reserved for the food court at the casino.

Imagine the type of people you’d get in there at 2am, ties all loose, bloodshot eyes, empty wallets, high heels in hand, ordering kebabs and a chips whilst wearing suits and sequins! If I tried to remember all the wonderful characters that were stumbling around at that hour, I would be here forever – but the stand outs in my mind, would have to be the guy in the baby blue, one piece suit with trainers on and SERIOUSLY a cougar version of the lovable Vicky Pollard from Little Britain. I can’t tell how upset I was, that I didn’t have my camera on me

And then, Monday, quick breakfast in the city (yes, it was MUCH better than Hairy Canary I’m please to report) before leaping on the SkyBus and heading back to the airport.

It had a been a quick holiday, but a much needed break. I think looking back on it all, Yummy Yasmin and I really crammed in a lot of things during such a short stay, I only really went down to see Marilyn Manson, so it was great that we got to do all that extra stuff in between.

Melbourne then….would I live there? Probably not. But do I think it’s a great place to visit? Absolutely

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You can see more photos from the trip here, or by hitting play on the slideshow below

So 5 days and 1,926 kilometers later, my whirlwind holiday with my partner in crime, the one and only Yummy Yasmin, has sadly come to an end – boooo!. (This is why I went down)

But there’s much to celebrate, in fact, so much happened in such a short space of time, that I’m desperately writing it all down to share it with you, before I forget some of the situations and highlights, in what was a frenetic and fun few days.

(I’m going to split the trip into two blog entries, because otherwise we’ll both be here all day. So think of this as the first act, with the second act to follow in a few days.)

Now for anyone that has flown to Melbourne from Sydney, this shouldn’t come as much of a surprise, but no sooner had we taken off from Sydney’s domestic terminal, we landed in Melbourne!

One of the shortest and thankfully smoothest flights I’ve ever been on (and trust me I’ve spent a bit of time whizzing around in the air) quite why anyone would consider driving for 12 hours in a crammed car, crawling along the motorway, when it’s nearly as cheap, certainly a lot easier easy and much faster to fly is any-one’s guess.

I was really impressed with Virgin Blue as whole and the longstanding cliche of their attractive, tall, slim blond air-hostess certainly got a chuckle out of me. Quite how Mr Richard Branson gets around workplace discrimination I’ll never know, but hey for eye-candy value alone, you certainly won’t hear me complaining.

During our stay, home for the next 72 hours, would be the 5 -Star Como Hotel in South Yarra, situated no less than on one of the main shopping areas in Melbourne, Chapel Street.

I’ve been to Melbourne a few times, yet never been to South Yarra before. What I’d been told held true, it’s undeniably an affluent area, similar to Paddington / Woolahra in Sydney, with lots of boutique shops, filled with lots of upper and middle class Caucasian people, all looking rather fashionable, the chaps with their Ray Bans, the ladies direct from the salon with their freshly styled hair.

The wah? Who? Erm....

And yet for all the obvious money on display, the locals fluttered past displaying an air of confidence, without ever coming close to being pretentious – which was both refreshing and rarely seen in Sydney. They didn’t seem to have to prove a point, maybe the notion that Melbourne has an inferiority complex, is merely a myth?

Chapel Street is actually a really long stretch of shops that spans several different suburbs. When you’re leaving one and crossing over into another, you can immediately feel the entire aesthetic of the area change literally from one meter to the next. High fashion outlets, suddenly morph into second hand bookstores, whilst the Prada shoes which once tapped on the sidewalk next to you, become replaced with the flip flop echo of a pair of Havana’s.

Life imitating art

One particular shop, was a Halloween store, or rather a store which pretty much had every sort of Halloween inspired, witchy, spooky, gothic attire ones little black heart could desire. It also had some fucking HUGE replica spiders dangling from various devices throughout the shop.

However, they were all unbeknown to me as I walked in (you can see where this is going right?). I turned around only to be confronted with a ginormous black hairy tarantula, legs fanned out on the ledge next to me! It was so big, heavy and bulky in its appearance, it could have literally have been used as a doorstop!

If I went to burgle a house and was confronted with that on the floor as I opened the door, rest assured I would be a mere dot disappearing over the horizon!

Rather worryingly, out of the corner of my eye, I could see another one dangling in the center of a web and to my utter horror within seconds, I started seeing them all around the shop, yes it turns out, I was literally surround by a den of large black threatening spiders in all shapes and sizes. Some where hairy, some had fangs, some were in webs and some were made of shiny black rubber.

It was the stuff of nightmares, honestly.

I’m not ashamed to admit, I have a genuine phobia of spiders, anyone who knows me well, is aware that I simply can’t handle being near them, real or not. Upon the realisation that I was almost certainly surrounded  by the damn things, the room started spinning and I felt suddenly out of breath, so I closed my eyes stumbling towards the exit, fearing that I might be confronted with even more, as I made my escape.

I was so stressed out by the whole ordeal, I literally had to sit on the street for a few minutes to catch my breath  and regain some semblance of composure

It got me thinking, though, that there should be warning signs in shops like that, for people who suffer from the very real fear of arachnophobia?

When you going to concert or a exhibit that uses strobe lights, people with epilepsy are given advanced warning, am I right? So if you have a phobia of a certain creature (and I think a high proportion of people have a strong fear of or keen dislike for spiders in general anyway), don’t you think a shop which sells them or their likeness, should providing warnings as well?

I know if they had, I wouldn’t have had to endure such a panic attack.

Yet strangely enough, it’s moments like this, which holidays are made up of, for better or worse. But, as you can imagine, I shan’t be revisiting that shop anytime soon.

Later that night, before the first of 2 Marilyn Manson shows at the festival hall, we went to an All-American themed diner called ‘Sodarock’. When I say “All-American” it genuinely was, old-skool jukebox machines blaring out 1960′s swing, a life sized Elvis Presley and amusingly enough, they even served “Spiders” (2 scoops of vanilla-ice cream into a flavored soda) on the menu.

But the real highlight of the experience came half way through our meal, when the entire staff of the restaurant suddenly leaped from behind the counter and promptly started to dance in unison to ‘Shake Your Tailfeather’ by Ray Charles & Blues Brothers Band.

Clearly rehearsed, it never the less had the entire restaurant grinning from ear to ear (myself included) in apparent confusion and surprise. Synchronized, dancing 1960′s waitress’s, rounds of applause and a yummy meal who would have thought?

Now, as you know, the main reason I flew to Melbourne, was to see Marilyn Manson on tour (dedicated fan I know!) I actually ended up seeing him 4 times in 5 days.

Marilyn Manson On Tour 2009

Melbourne Festival Hall Saturday October 10th 2009 (sold out)
Melbourne Festival Hall Saturday October 11th 2009
Sydney Enmore Theatre Tuesday October 13th 2009
Sydney The Hordern Pavillion October 14th (sold out)

Now I don’t want to bore you with all the details, if you’re not a fan, little of it will make much sense anyway, SO here’s a summary spanning the 4 shows, otherwise I’ll be here all day haha.

1. Melbourne crowds are vastly different to Sydney ones. Much more subdued and docile. In fact, most of them seem to be utterly obsessed with taking photos of themselves during the show, than actually watching it.

2. The Festival Hall in Melbourne, has a really shit P.A. system, the whole venue actually reminded me of a sports gymnasium

3.  The best show by a long long way, was the final one I saw at the Hordern Pavillion. Best crowd, strong performance and decent sound.

4. He’s certainly done better tours, but I did like the striped back approach this time. More about the music, less about the theatrics.

5. Decent setlist, would have liked to have heard something from The Golden Age of Grotesque album though.

6. He’s still got it and for the most part, was in good spirits “You do realize Melbourne, that I am the man, with the golden dick?” haha although he is looking a little older now. He’s certainly not over-weight, as the press may have lead you to believe – trust me, I got a good look being so close to the front of the stage

7. Standout track of the entire tour strangely enough, was Dope Show, crowd loved it on all 4 occasions. Lowlight, the rather flat version of Tourniquet at both Melbourne shows and ridiculously over-priced merch. $125 for a hoodie, wah?

8. He played one less song at both Sydney shows. So Melbourne, I guess you got more value of money! Tourniquet, was left out (and not replaced either) at both Sydney shows, not sure why.

9. Twiggy was awesome as usual.

10. The Sydney crowds had more energy, made more noise and had a much bigger and better mosh.

Finally, here’s some photos from Melbourne and here’s a playlist I put together, featuring some of my favorite tracks.

After the 1st show, Yasmin and I headed back to the city, on a mission to find a nice bar to see out the night with. Whilst it’s clearly a tourist destination, some of the bars and restaurants at the Crown Casino Complex are actually really good, and with a view on the Yarra River complete with soft city lighting, they turn out to be perfect place to end an evening.

Decisions, decisions....

We ended up going to a little place called Nobu where we had some rather yummy cocktails, I can’t for the life of me remember what was in them, but I do remember thinking I could pretty much drink them for eternity they were that good. It was quite funny really, going from the hooded PVC gothic hordes of the concert with their plastic cups of VB, to the sharp suits and dim lighting of one of Melbourne’s finest cocktail lounges. Nobu then, two thumbs up from me.

After that, it was back to the hotel for an amazing spa bath, THE perfect way to end the day. I really wish I had one of those in my own house, ah the novelty of hotels – I could have stayed in that spa forever after spending nearly 16 hours on my feet all day.

So there you have it, day one, easy flight, the beautiful people, dancing waiters, spiders of vengeance, sweaty goths, lip smackin’ cocktails and walks along the Yarra River at night.

Now if you thought that was decent first day, wait until I post my review & photos from the second day. A Trip To Melbourne – Act 2, will follow soon.

Until then, isn’t it about time that YOU booked a holiday? Go on, after reading all that, you know you want to haha.

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Giving a demo at the MySpace Music press conference October 1st 2009

It’s been a hectic few days, in fact the last couple of weeks have been somewhat of a blur. This is largely due to spending excessive hours @ work, in preparation for the launch of MySpace Music in Australia and New Zealand.

On October 1st, key media players across Australia were invited to come down for the great unveiling and celebrate it’s arrival at the press conference. From the major record labels (who have equity in the venture) through to established news outlets such as SMH, News Ltd, to industry coverage from the Music Network and support from the ever dependable ABC, everyone, who is anyone in Australian media, was there.

As you’d expect, there was a tremendous amount of excitement, fanfare and relief on the day. The product had been in development for over a year, with on-going rumors raising the expectation levels each and every day, however, I’m delighted to say they’ve been met & even exceeded with it’s launch. It really is a fantastic avenue for musicians and there’s little doubt in my mind, that it’s a massive step-forward for individuals who are fans of music and want free, quick and easy access to it.

As a result, Australian and New Zealand MySpace users can listen to songs & albums from over 5 MILLION artists on the site, including their extensive back catalogues.

It’s mind-boggling trying to even begin to comprehend that isn’t it

To give you an example,  Elvis Presley alone has 121 albums available on MySpace all of which you can stream in their entirety, unlimited, legally and for free.

(I’ve been listening to Daft Punk’s 2007 Alive album religiously recently).

Plus you can create your own playlists and share them with friends – just like you did with those old-skool mixtapes back in the 80′s & 90′s. Even Australian Prime Minister Kevin Rudd has put together his own personal playlist on the site, respect!

Those two quick examples alone, should demonstrate the reach, influence, impact and potential MySpace Music has. It truly is instant and free access for everyone who is a fan of music. Come and try it out.

Exciting times ahead

Speaking of exciting times, in under a week, I’m heading down to Melbourne to go and see Marilyn Manson play two shows there, how is that for dedication hehe, I seriously can’t wait, my version of a mini-holiday.

I’m actually seeing him twice in Sydney, so all up 4 times in 5 days, and if I’m really lucky who knows, I might even get to meet him again. If I do, rest assured I’m going to send the world the photos! His new record ‘The High End Of Low’ just keeps getting better and better with each listen.

I’ll be updating and using Twitter whilst I’m down there, so please do stay in touch if you don’t already. It blows my mind that I can take a photo from my Blackberry, send it to Twitter, which then syncs with my MySpace and Facebook accounts, allowing you guys to all view it.

I used it today actually.

I found this chap, around the back of Oxford Street, left for dead on the side of the curb, after a big night out. So I took it upon myself to prop him up and arrange him in a manner the locals would approve of….

I left him there like that, so here’s hoping he gets lucky tonight.

It’s true, I rarely fail in finding ways to amuse myself haha!

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p.s. Today I watched my beloved Sydney FC return to the top the league, Arsenal hammered Blackburn 6-2 and EVEN Norwich City won 5-1. Talk about a great weekend of football!

Whilst they are not neccessarily my favorite albums, I think the imagery, concept and thought that went into each cover below is pretty inspiring. (They’re not in order of preference)

In truth, I was limited to what Sleevage had available, so I picked my favorites from their rather small inventory. I could have searched the net for like 5 days straight, resized every album cover I liked and uploaded them all here – but um…..that was honestly never going to happen! I’ll leave that to other vastly more dedicated types!

Enjoy,



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My favorite artist and band of all time are back!

Anyone who knows me well, is aware that I’m am a HUGE HUGE HUGE Marilyn Manson fan. My bedroom walls, which are covered in band posters dating back to 1996, are testament to that! Not to mention all the signed memorabilia, t-shirts and limited edition merch I have hidden away.

The most exciting 48 hours of my life, when I got to meet the band twice backstage, once in Sydney and then the following night in Newcastle, back in 2003 for ‘The Golden Age Of Grotesque’ tour. 

I’m rarely lost for words, but I was totally and unashamedly starstruck at the time. I still remember those two evenings, down to the minutest detail, talking to him about his photographs and who play what on which album, memories like that will always stay with me I think.

You can download the new Marilyn Manson track “We’re From America“, directly from www.marilynmanson.com

It’s taken from the forthcoming album “The High End Of Low” set for a May 26th worldwide release.

After hearing it, I CANNOT WAIT to hear the rest of the album, it’s not the greatest song he’s ever written (that goes to Coma White) but as a taste of things to come, it’s one hell of a start!

Mr. Manson, we salute you!

p.s. Listen to more from Marilyn Manson here

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“I GAVE MYSELF 158 SCARS IN ONE DAY”

Marilyn Manson Makes “Cocksure”, Autobiographical New Album.

Marilyn Manson has spoken exclusively to Kerrang! About his band’s upcoming new studio album, The High End of Low. The 15-Track record sees Manson reunited with former bassist and writing partner Twiggy Ramirez – who left the band in 2002 citing creative differences – and producer Sean Beaven (Nine Inch Nails, Slayer) who recorded the band’s 1996 breakthrough album, Antichrist Superstar. Tracks set to appear on the release include I Want To Kill You Like They Do In The Movies, Arma-goddamn-motherfucking-geddon, Devour, Four Rusted Horses, album closer 15, and We’re From America, which was made available as a free download from the band’s site www.marilynmanson.com, earlier this week.

We’re From America is the first track fans will hear from the album, can you give us more details about the song?

“I think a lot of people will hear the track and initially think it’s just political, but it’s not just that, it’s also me describing a lot of fucked-up scenarios that I’m going through in my personal life. Someone asked me, ‘Why are you so fucked up?’, ‘Well, I am from America.’ I hate the fact that so many people have fucked the country up, and so many people fucked up my personal life and I allowed it to happen. So in a way, I feel like America as a whole feels, but in no way does that make me a tree-hugging patriotic freedom rocker.”

What sound were you going for in the studio?

“It was just to not worry so much about trying to be professional, or trying to be anything. The guitar sounds like [Twiggy’s] dick when it’s hard. That’s why I describe the record as ‘hard’, not ‘heavy’. Because if you’re going to have a music that is going to be called a ‘dick’ – would you want it to be heavy? That’s a burden. Or ‘hard’ Cos then you could do things with it. The record comes across – no pun intended – with the confidence of someone who is cocksure – no pun intended. It’s completely unafraid of anything.

Were you concerned with what the record company would think of it?

“No. At one point I told everyone, ‘I don’t really care’. What are they gonna do? Return it? You gonna fire me? Call in some special police who come down and yell at me. Did you forget what band you are dealing with? The record companies seem only recently to be having some strange concern that I might be crazy. Really? I might be crazy? I think they’re a little late on that one!”

How would you describe the overall attitude of the album?

“This is not a record that we would leave black and self-titled and mature. This is the experienced record. This album is the 12th Grade guy that has VD and did cocaine in high school, who has been arrested once and the 9th Grade girl wants to fuck him.”

Does the album have a running concept or any specific themes?

“The songs on this record are quite autobiographical, but they’re also very much their own stories in the same sense as some of my earlier work on Antichrist Superstar. The songs are in the order in which they were written and sung. It was a story that took place and I didn’t really know what it was going to be till it happened. I had to find out how it was going to end in order to end the record. This album left many scars, and I think they are good ones.”

Literal scars too?

“Well, I gave myself 158 scars in one day. It was me trying to prove a point to someone – myself. It wasn’t like my years in the past of self-mutilation, something to be hidden, or a type of compulsion. This is more like tattoos, 158 things that happened that day and I wanted remind myself.”

Are there any other reminders of the record’s creation?

“I wrote all the lyrics on the wall of my room. It wasn’t to be decorative; it was one of those things, like it’s the last thing someone sees before they put them somewhere else. I think it looks good. And if anyone wants to come into this room and fornicate with me, I think they are a keeper… and when I say keeper, I mean kidnapping. I am probably going to do most of the press for the record from my house, before I leave or destroy it, because you can see the story and what the record as made from within the house.”

How else did you document it?

“During the whole process I took a lot of photos, so the artwork is a lot of storytelling and the way that the songs have turned out is more from my point of view rather than looking at me. Because I always wanted to take pictures, my house is set up like a movie set. Instead of lamps I have movie lights and smoke machines and things.”

Does the album also have a movie quality to it?

“Yes. I really look at this record as a film, maybe because I sort of directed it. I stopped trying to conform regular life into the idea that it’s regular life. Why isn’t it all just a movie? If people are watching, they’re watching me being an asshole or being boring or creating something amazing. That’s just a part of the movie. It allowed me to be more creative.”

Are there any tracks in particular that surprised you or will surprise fans?

“15 is track 15 on the album. It’s the most important song I think that’s been written by Marilyn Manson as an entity. It’s the most unusual song I have ever heard. I thought that the album was done, as there is a glorious epic track [before that] that I think will make Twiggy forever recognised as a guitar hero. That felt like the end of the record, but what was happening in my life had not resolved itself. So on January 5, one five, I sung 15 and the lyrics will tell the story of that day…”

Did finishing the record mark the end and a resolution of your problems?

“I think that my life definitely ended and began. The record sounds very final, but it’s almost optimistic – thought that feels a strange word to use. It’s a phoenix from the fire and a redemption, resurrection.”

You can view a scan from the article here and page 2 here

Official Marilyn Manson Resources
http://www.marilynmanson.com
http://www.mansonusa.com
http://au.myspace.com/marilynmanson
http://www.kerrangmagazine.com

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Marilyn Manson Names New Record

“My new record is done, man,” he tells the S.S. “It’s called The High End of Low - it’s a self-described state of being that I’m in. You’re going to be fucking freaked. It’s the shit.” More info here

Meanwhile, a close friend of the band describe the record as sounding like “To me it’s more like Pink Floyd and Led Zepplin mated and their children covered ‘Doppelherz’ while slowly bleeding to death in a porno house on 42nd Street before it was taken over by Disney (but maybe that’s just me)”

I CANNOT WAIT!!!!
Alex

Marilyn Manson

The Heirophant is perhaps the largest source of information on Marilyn Manson available on the internet today. Since its inception, our site has been maintained by fans, for the fans of Marilyn Manson. The Heirophant was conceived and created by webmaster Filicide out of his respect for the band’s music and style, and also the somewhat inadvertent effect of boredom in the Winter of 2000. The Heirophant has made an impact on Marilyn Manson fan sites and continues to raise fan expectations with every new version that is released. Today, The Heirophant is the most popular Marilyn Manson fan site on the internet.

Vist it here

Alex